Publications

Peer-Reviewed Journal Articles 

Emerson, G., & Egermann, H. (2018). Exploring the Motivations for Building New Digital Musical Instruments. Musicae Scientiae. (Online First, 16.10.18). https://doi.org/10.1177/1029864918802983

Emerson, G., & Egermann, H. (2018). Gesture-Sound Causality from the Audience’s Perspective: Investigating the Influence of Mapping Perceptibility on the Aesthetic Perception of New Digital Musical Instruments. Psychology of Aesthetics, Creativity, and the Arts, 12(1), 96-109. https://dx.doi.org/10.1037/aca0000114

Book Chapters

Emerson, G. & Egermann, H. (2017). Mapping, Causality and the Perception of Instrumentality: Theoretical and Empirical Approaches to the Audience’s Experience of Digital Musical Instruments. In Bovermann, T., de Campo, A., Egermann, H., Hardjowirogo, S-I. & Weinzierl, S. (Eds.). Musical Instrument Identities in the 21st Century: Identities, Configurations, Practices. Springer: Heidelberg. https://www.springer.com/book/9789811029509

Presentations and Peer-Reviewed Conference Abstracts

Emerson, G. (2018). Developing Audiences for Contemporary Classical Music: A Comparative Study of Strategies and Audience Experiences Across New Music Institutions in Europe. Doctoral Colloquium, 11. Jahrestagung des Fachverbands Kulturmanagement. Hamburg, 17-20th January 2018.

Emerson, G., Förstel, A., & Egermann, H. (2016). Gesture-Sound Causality from the Audience’s Perspective: Investigating the Influence of Mapping Design on the Reception of New Digital Musical Instruments. Abstract Book of the 14th International Conference on Music Perception and Cognition. San Francisco, CA, 4-11th July 2016.

Emerson, G., Förstel, A., & Egermann, H. (2015). Gesture-Sound Causality from the Audience’s Perspective: Investigating the Influence of Mapping Design on the Reception of New Digital Musical Instruments. Tagungsband der Jahrestagung Gesellschaft für Musikpsychologie. Oldenburg, 11-13th September 2015.